Tag Archives: semiotics
Stir It Up And Mix It Up – That’s Pastiche! (With Horizontal Scrolling Image)
The discordant and syncopated visual rhythms and shifting spatial references form an intermixed background of space and time for the Modflower to strut her stuff against. How can her conceit be so charming? Is that a Radical Sign lurking there … Continue reading →
Posted in Art, Intercontexting, Scrolling Images
|
Tagged abstract digital art, algebra and art, art, art and math, art and mathematics, art created with computer, art experiment, art journey, art math, art mathematics, colorful images, combining contexts, combining image contexts, combining images, computer art, computer art is like math, computer art is mathematical, consecutive images, context, creative experiment, creative free flow, creative inspiration, creative process, cross interpretation of artistic mediums, cross modalities, cubism, cubist modfower, design icons, designs with interchangeable elements, digital art, digital art style, digital images, digital images made out of polygons, horizontally scrolling image, image sequences, interchangeable elements, interconnected images, intercontexting, intercontexting art style, intercontexting language, intercontexting principle, intercontexting process, interpreting an image into words, inverse design, inverse image, palm bird, panorama, panoramic image, pastiche, post modern, post modern art, postmodern palm bird, radical sign, reciprocal image, scrolling image, semantics, semiotics, sequences of images, square root, swapping icons, train of thought, vector graphics, vector graphics art style, visual icons, visual train of thought, wide horizontal image
|
1 Comment